Literature

April 30, 2008

New book by my latest favorite novelist

Wrack_and_ruin Go out and buy this book immediately! Lee is the best writer of the complexities of the contemporary Asian American experience, if there is such a category. His writing is smart, fast-paced, and sophisticated.                                 

Book Description of    Wrack and Ruin
 

From his website www.don-lee.com

  An incisive satire about art and commerce, fame and ethnicity, nature and   development, and two estranged brothers, Lyndon and Woody Song.

 

Lyndon Song is a renowned sculptor who fled New York City   to become a Brussels sprouts farmer in the small California town of Rosarita   Bay. Lyndon has a brother, Woody, an indicted financier turned movie producer,   and Woody has a plan, involving a golf-course resort on Lyndon’s land and an   aging kung-fu diva from Hong Kong with a mean kick and a meaner drinking   problem.

 

Over one madcap Labor Day weekend, this plan wreaks havoc   on Lyndon’s bucolic and carefully managed life. Woody’s financial (and   existential) crisis embroils everyone from a developer obsessed with college   football to two field biologists studying western snowy plovers, and   culminates in literature’s first-ever windsurfing chase scene. Meanwhile,   Lyndon’s great love, Sheila Lemke, the impulsive mayor of Rosarita Bay, is   having a crisis of her own, leading her to petty vandalism; other women smell   mysteriously of chocolate ice cream; Buddhist missives arrive scrawled on   paper airplanes; and a small plot of exceptionally lush marijuana is ready for   harvest. In all, Lyndon’s life in Rosarita Bay is ready to come apart at the   seams.

 

Hilarious and philosophical, this many-hued novel about   the landscape of contemporary “multicultural” America is critically acclaimed   Don Lee’s best book yet.

 

 

  Don Lee is the author of the novel Country   of Origin, which won an American Book Award, the Edgar Award for Best First     Novel, and a Mixed Media Watch Image     Award for Outstanding     Fiction, and the story collection Yellow, which won the Sue   Kaufman Prize for First Fiction from the American Academy of Arts and Letters   and the Members Choice Award from the Asian American Writers' Workshop. A new novel,   Wrack and Ruin, will be   published by W.W. Norton in April 2008.  

               

  In November 2007, he received the inaugural   Fred R. Brown Literary Award for emerging novelists  from the     University of Pittsburgh's   creative     writing program.  

               

  He has received an O. Henry Award and a Pushcart Prize, and his stories have   been published in The Kenyon Review, GQ, New England Review,   The North American Review, The Gettysburg Review, Bamboo Ridge, Manoa, American Short Fiction, Glimmer   Train, Charlie Chan Is Dead 2, Screaming Monkeys, Narrative, and   elsewhere. His book reviews and essays have appeared in The Boston Globe,   Harvard Review, Agni, Boston magazine, The Village Voice, and other   magazines. He has received fellowships from the Massachusetts Cultural Council and the St. Botolph Club Foundation.  

               

He currently lives in Saint Paul, Minnesota. From 1988 to 2007, he was the editor of the literary journal Ploughshares. In the fall of 2007, he began teaching creative writing as an associate professor at Macalester College.  

               

He is a third-generation Korean American. The son of a career State Department officer, he spent the majority of his childhood in Tokyo and Seoul. In Tokyo, he attended ASIJ—the American School in Japan. He received his B.A. in English literature from UCLA and his M.F.A. in creative writing and literature from Emerson College. After graduating, he taught fiction writing workshops at Emerson for four years as an adjunct instructor, then began working full-time at Ploughshares. He was an occasional writer-in-residence in Emerson's M.F.A. program and a visiting writer at other colleges and universities.  

               

His hobbies are windsurfing and bicycling.   


February 16, 2008

Beautifully written Vietnamese American coming-of-age novel

03p11gangsterweareall

I think this would be an especially good book for younger high school readers...it's beautifully written, controlled, interior, moody...-sys

Editorial Reviews
From Publishers Weekly
Le's first novel is a bracing, unvarnished, elliptical account of a Vietnamese refugee family, in America but not yet of it, hobbled by an unfamiliar environment and their own troubled relationships. It's narrated by the family's young daughter, newly arrived in San Diego with her father after being sponsored by a well-meaning but condescending American family. Her mother soon joins them, and the family endures an itinerant existence of low-wage jobs and cheap rental apartments. Other Vietnamese wander namelessly through the book, sharing space with the family but providing little of the warmth of community. Nearly plotless, the novel is organized into vignettes that each feature one piercing image: a drunken parent, a shattered display cabinet, a drowned boy. As the narrator makes her halting adjustment to America, she also tries to discover what the family has left behind in Vietnam. Her father's mysterious past caused him to be rejected by his in-laws; these grandparents are now known to the girl only through a worn photograph. Then there is her brother, whose fate is mentioned only in whispers. Le allows no sentimentality to creep into this work-indeed, she hints only subtly at the narrator's emotional state ("there is no trace of blood anywhere except here, in my throat, where I am telling you all of this"), as though any explicit show of feeling were too frivolous for the subject at hand. This is a stark and significant work that will challenge readers.
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist
The narrator of le's poetically spare but psychologically rich debut novel is only six when she and her father and four other Vietnamese men arrive in San Diego, thanks to a generous man who learned of the plight of Vietnamese boat people at church. Sadly, he dies before they arrive, leaving his widow and reluctant son to care for the refugees, an arrangement that ends with the sort of disaster only a lonely and imaginative child can create. Her mother was left behind in the confusion of their dangerous escape, and she also misses her dead older brother. Her mother finally joins them, but their lives remain unsettled, perplexing, even demoralizing in the face of undisguised prejudice and resentment. As le's narrator grows into adolescence, her perspective expands accordingly, illuminating not only her parents' passionate but violently troubled marriage, a much-objected-to union between a "Catholic schoolgirl from the South" and a "Buddhist gangster from the North," but also the many horrific and indelible psychic consequences of war. There is much pain in this exquisite novel, and much beauty. Donna Seaman
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

February 12, 2008

Totally hard-boiled reading pleasure! Book of the-last-evening

CoverABOUT THIS BOOK

A serial cop-killer is running rampant in Tokyo's Shinjuku ward and only one man has the connections and the courage to find and stop him -- The Shark. Filled with volatile characters, each wiht his own unique ties, Shinjuku Shark is a masterpiece of nonstop tension.

Arimasa Osawa is one of Japan's leading hardboiled novelists, influenced by American authors such as Elmore Leonard. His famous work, Shinjuku Shark (the first installment in a series) won the Eiji Yoshikawa Award for fiction and the Naoki Prize.

About the Author

Arimasa Osawa was born in 1956 in Nagoya. After dropping out of Keio University, he dove head first into fiction writing, winning the First Detective Fiction Award in 1979 for his first novel, The Sentimental Street Corner. In 1991, he won the Eiji Yoshikawa Award and Japan Mystery Writers Association Award, and in 1993, the Naoki Award, all for installments in the Shinjuku Shark series.

December 16, 2007

Taking a blog break, but in the meantime...

SwannswayI am reading Proust...but not the version on the left, I just liked the cover. My translation is the Moncrieff and Kilmartin one, revised by Enright. I wish I had one of the revised French editions so I could read them side by side. Really, I'm sure I could accomplish that with a few clicks of the mouse and $15...so maybe I will.

December 06, 2007

Reading so far this week

My daughter and I are, separately, reading the Spiderwick series...it's really good! And the illustrations are really really delightful and wonderful. I find the interactions between the older sister and the problem-prone younger brother really accurate. Mallory is sarcastic and mean and superior to her little brother in the same way my daughter is to her little brother! I guess it's natural. She, my daughter, is actually a very nice person. I realize that her brother can be annoying to her. Anyway, I recommend them. The writing sparkles, with nothing wasted, which you cannot say about the HP books (not to keep ragging about the HP books, which are wonderful and entertaining).

Apparently there is a movie being made of it/them. Hollywood is just on a roll with the book adaptations. I guess that's nothing new, but I guess it's also the middle-class / white tweener audience explosion.

I'm finishing THE WHITE CASTLE by Orhan Pamuk, an author who restores my faith in humanity and in the novel. Thank you, Orhan Pamuk! If you hadn't already won the Nobel, I'd send you one. Made out of construction paper, or something.

I got the new Denis Johnson book from the library...TREE OF SMOKE.

I read THE BLACK NOTEBOOKS by Toi Derricotte today. I liked it. It made me want to be friends with her. She was very real. Smart. Honest. Agonized...

Oh, and I read FUN HOME yesterday, by Alison Bechdel...it was great!!!!!!!!!!!!! Go get this book immediately. Graphic novel...super smart...funny but not "lite"...quite serious actually...inventive without being gimmicky, coy, or pretentiously hip...

I also, from the library, got PLANET OF THE APES with Mark Wahlberg (why is he such a delight?)...a bad movie...saw it in the theater (oh why) when it came out...just...can't...look...away...monkey...bad...good...fake...fur...

Signing off!





December 03, 2007

Book of the weekend: The Golden Compass

GoldencompassSo, I've been sick for a few days, and not having the brains to continue with the  KOREAN SECURITY POLICY book on my desk, I ordered some lighter stuff (or just more fun). I have been wanting to read HIS DARK MATERIALS for a while. WARNING: thematic SPOILERS

I got the first book from the library and read it in two sittings. It was quite a page turner, and, though there's not a big reason to compare it to Harry Potter, it was much smarter, more complex, and more imaginative than HP. And better written, on the sentence level. Less interior drag. Less psychological, I suppose, as Lyra, the main character, is not a tortured orphan, subject to the vicissitudes of peer pressure and the mass media.

Lyra is a scrappy girl who eschews the frippery of conventional girlhood (at first). She is the hero of the novel. I was wondering about the "she's a strong female character" idea...why does a female character (written by a man) have to make fun of "girly" female stuff (dresses, clean hair) in order to be adventurous, lion-hearted, etc.? I wonder if, instead of being pro-girl if it's actually very anti-girl. That is to say, the only kind of girl hero worth following is one who takes on conventionally male characteristics. Lyra is kind of androgynous and then she is seduced by the softness and cleanness and glamour of living with Mrs. Coulter...who then turns out to be evil. The "good" woman in the book (well, there's a gyptian woman who is good, but doesn't play a large role) is an ageless, beautiful witch. Of course there's tons of men of all kinds.

Despite seeming like a book that champions girls, I find that it really doesn't. Not that Pullman makes that claim, but I can see book reviewers doing so.

It's like that cliche male fantasy moment when the bad-ass motorcyclist whips off the helmet to reveal a long, lush, slow-motion mane of (usually blonde, and Lyra is blonde) hair.

Lyra is the virgin/maiden archetype in every way and Mrs. Coulter is the witch archetype.

The better thing about HP is that Hermione, to me, seems fully realized, and not a male fantasy (truly!). Of course Hermione is not the main character, but she still plays a very important role. Of course she's an older character, and I've read her throughout 7 (?) books and not just one. And am, I'm sure, influenced by the films. But she does seems like a character written by a woman, and Lyra seems to me to be quite standard, and written by a man. I do like that Lyra is sort of anti-education and is a bit wild, and a good liar. The most salient comparison is surely not Lyra and Hermione, but it springs to mind because I haven't read much fantasy. I'm maybe interested in trying to write for a YA audience and will have to think hard about the nature of characterization. I'm probably too weighted down by ideology--fiction to me seems more vulnerable to reductivism because you're dealing with a character whose purpose, to some degree, is to provide some verisimilitude with a real humans. If I were a composer (of music) perhaps I could be more free! Poetry, while also full of ideas and ideology, need not deal with character or plot so much.

Thinking about Lyra Belacqua ("musical beautiful water"--her name counteracts her punkish, hoodlumish ways) reminds me of the totally-male-made film HARD CANDY, in which the avenging teen girl really has a baby-dyke appearance/persona, as if the only kind of female capable of the imagination and moral outrage shown by the girl is one who transgresses conventional gender boundaries.

To bolster my argument, the evil female character is a beautiful woman (as she often is, or is often a disgusting old hag who can change herself into an beautiful female).

I am going to try to go see the film (The Golden Compass) asap. It looks lush and exciting, as the book was (although it left me feeling slightly hollow...perhaps it's because I never really cared about the metaphysical cosmology being played out...and because the only character really explored is Lyra, and perhaps Iorek the armored bear. I also thought that her love for him was just the tiniest bit eroticized, which made me "feel funny inside, and not in a good way," as one of my friends like to say. It reminded me of the overly erotic nature of the bond between the protagonist and his dragon in the ERAGON books, which by the way, I liked much much less than TGC or HP or any other fantasy/SF YA literature, not that I've read a lot of it.)

This is not to put too much on the shoulders of one book. I did enjoy it. I am thinking of reading it to my daughter, although she could read it herself, but not sure if she would stick with it. It is more challenging than the HP books in vocabulary and in other ways. I like how Pullman doesn't overexplain anything (e.g. he does not explain that "gyptian" is the origin of the word "gypsy." Maybe English children already know that.)

November 13, 2007

Still studying for the GRE

Tomorrow I'm taking the GRE. I registered 1.5 weeks ago. Not really a smart way to go about it, but, applications are due Dec. 20 for the programs I'm interested in, and I just figured out I was doing this, after years of hand-wringing, so, c'est la vie.

The last time I was in a math class I was 15 or 16 and it was 1989 or 1990. It's not that the problems are difficult, it's that there are so many steps and so many opportunities (for me) to make a small error. I am trying to re-learn the formulas for geometry, as well as stuff like FOIL and PEMDAS and square root stuff and probability and complicated percentage problems.

Example:                                       

If n is                     an odd integer, which one of the following is an even integer?                                       

(A) 3n                     + 2     (B) n/4     (C)                     2n + 3     (D) n(n + 3)     (E)                     nn
                   
                  

We are                     told that n is an odd integer. So choose an odd integer for                     n, say, 1 and substitute it into each answer-choice. In Choice                     (A), 3(1) + 2 = 5, which is not an even integer. So eliminate                     (A). Next, n/4 = 1/4 is not an even integer--eliminate (B).                     Next, 2n + 3 = 2(1) + 3 = 5 is not an even integer--eliminate                     (C). Next, n(n + 3) = 1(1 + 3) = 4 is even and hence the answer                     is possibly (D). Finally, in Choice (E), the nn = 1(1) = 1,                     which is not even--eliminate (E). The answer is (D).

Example:                     Define x # y by the equation x # y = xy - y. Then 2 # 3 =                                       

(A) 1                         (B) 3     (C)                     12     (D) 15     (E)                     18
                   
                  

From the                     above definition, we know that x # y = xy - y. So all we have                     to do is replace x with 2 and y with 3 in the definition:                     2 # 3 = 2(3) - 3 = 3. Hence, the answer is (B). ------------------------
As far as reading goes...last weekend I read:

Something Special by Iris Murdoch (short story in a book format)
Rape: A Love Story by Joyce Carol Oates (novella)
Beasts by Joyce Carol Oates (novella)

I'm currently reading:

The Martyred by Richard Kim (novel)
Pregnancy and Power by Rickie Solinger (academic book)

Last night I went to Juliet Patterson's MFA class at Hamline University to be a guest artist. It was such a pleasure; it reminded me of how much I L-O-V-E poetry.

Please go read Juliet's book The Truant Lover. Beautiful, musical, refined, passionate.

October 18, 2007

Book of the week: Out of Place

OutofplaceI am loving this book, a memoir by Edward Said. In his tortured relationship with his rigid and domineering father his relationship reminds me of Franz Kafka's relationship with his feared father.

It's a portrait of the development of an incredible mind and consciousness,as well as a very personal experience of the tragic disappearance of a Palestine.

October 05, 2007

Book of the Day: The Museum of Dr. Moses: Tales of Mystery and Suspense (Hardcover)

               
The Museum of Dr. Moses: Tales of Mystery and Suspense

                           
I really enjoyed this collection.It made me consider Oates' childhood; I also recommend her book on writing and life: The Faith of a Writer. -SYS

by Joyce Carol Oates Editorial Reviews

From Publishers Weekly
Starred Review. The words gothic and macabre rather than mystery and suspense might better describe the 10 beautifully told stories in this superb collection from the prolific Oates (The Female of the Species). In the startling opening tale, Hi! Howya Doin!, an overly friendly jogger encounters someone with a less rosy outlook on life. In the horrifying Valentine, July Heat Wave, an estranged wife finds a very unpleasant surprise in the home she once shared with her academic husband. In the haunting Feral, a near-death experience transforms a much-loved only child into something wild and unknowable. The title story concerns a horrific exhibit in the home of an aging coroner in upstate New York (whose behavior is even more troubling). The book's best story, The Man Who Fought Roland LaStarza, about an aging boxer in a bout that will make or end his career, happens to be the least gruesome. Powerful narratives, a singular imagination and exquisite prose make this a collection to relish. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.    

      

From Booklist
All crime stories implicate the reader in some way--if you weren't thrilled by criminal acts, you wouldn't be reading about them, would you?--but in two of the tales in this new collection, "Hi! Howya Doin!" and "Stripping," Oates takes that concept one step further, implicating the reader by use of second-person point of view. In other stories, guilt shifts more unpredictably: in "Suicide Watch," a father ponders his own culpability for a horrific crime that he thinks--he can't be sure--his son has committed; in "Bad Habits," the children of a serial killer find similarities between themselves and their father's victims; in "Valentine, July Heat Wave," a philosopher plans revenge against his less-intelligent wife, whom he blames for their impending divorce. Oates clearly isn't interested in the usual suspects. It's almost customary, when reviewing her, to get off a crack at her prodigious output. But the care and intellect she applies to all of her projects, even what is theoretically "just" genre fare, are anything but jokes. These stories sizzle, and turning pages only fans the flames. Keir Graff
Copyright © American Library Association. All rights reserved    

September 23, 2007

Novel of the day: Annie John by Jamaica Kincaid

  I have wanted to read this slender book for a long time. Yesterday I picked it up from the library and then read it one sitting. It was an excellent experience. I found it haunting and it reminded me very favorably of Carson McCullers' Member of the Wedding.

Synopsis
Annie John is growing up on the magical island of Antigua. It should be a sojourn in paradise for her but adolescence takes the brilliant, headstrong girl into open rebellions and secret discoveries, and finally to a crisis of emotions that wrenches her away from her island home.

Annie_john_6


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